Shipping a game about Ships…

One of the biggest costs for any Kickstarter that is shipping a physical product is… well, shipping. This is especially true when to or from a country like Australia, where ordering a game from overseas can cost more for postage than for the game itself. I was seriously worried about the costs of shipping, seriously worried that if I got the weights or sizes wrong, the parcels I was sending would be bumped into a different category, and therefore end up costing significantly more per zine. As I wrote in my last post, one of the only things I was certain about in the beginning, was that I was uncertain of so many things…

Many Kickstarters absorb some or all of the shipping costs by wrapping them into the backer level prices. I thought I might be able to absorb some of these costs, but that if I tried to absorb too much, the price of backing for the physical zine would balloon to a point where it was ridiculous. I decided, after much uncertainty, to add shipping as a cost after the Kickstarter. Kickstarter allows you to set an amount for shipping, and I set one for domestic shipping, and one for international shipping. I could have used a service like Backerkit, which would have allowed me to collect pledges after the campaign was over. But these have fees, and I thought the cost of doing so would not be much different than doing it through Kickstarter.

It’s important to note, and it may be obvious, but Kickstarter has fees – usually a bit more than 10% of the money raised. Shipping is included in this amount, so whatever you charge through Kickstarter for shipping, will be included in the money raised before Kickstarter takes it’s 10%. I said this may be obvious, but when you are setting backer levels you may easily remember that 10% will be taken as fees. But when you are setting the shipping costs you need to remember this 10% (approximately) applies to them as well.

Before I go too much further there are three key things I was trying to work out at this point. How much would a backer pay for a physical copy, what would I put for the shipping costs (domestic and international), and how much would the funding goal be? Getting one of these right doesn’t necessarily mean the others are correct, and setting either the backer level or funding goal too high would turn off potential backers. The backer level needed to be priced in order that the money gained from a backer would cover the costs of producing the game for that backer. Of course, the economy of scale is at work here (the more zines I print the cheaper per zine they are), and I needed to be able to price out a range of things before I could settle on a solid figure for either. I wrote in my last post that I decided to set the funding goal around a print run of 200 copies, with the idea that if we got more than 200 backers who wanted the physical zine, the excess of funding would cover the next step up in the printing. I also decided to base my backer level costings around the idea that I might only print 50 copies, in which case the cost per zine would be higher. I feel these were conservative choices, and they were partly driven by the idea that more international backers would go for the digital only rewards than the physical rewards (spoiler: I was wrong).

Not the most beautiful tests, but they were a beginning…

Setting a funding goal meant I had to be able to make a good estimate for what it would all cost – if I printed 200 copies, and included a little of the shipping, envelopes, everything else required, a safety buffer, and the Kickstarter fees – how much money would I need to be able to hit print? So what were the costs?

More research was called for. The biggest hurdle was postage… What was the size of the finished package going to be? What was the weight? These things impact the cost of shipping significantly. I printed test copies off to see what the weight might be – but the tests were not the right gsm, not the right cover card, the envelope I added wasn’t the same as the ones I would use in the end, but these tests gave me a good idea.

Shipping from Australia Post is based around the size and weight of a package (surprising, I know). For a zine, I could get away with sending them as letters. Given the size of the envelope I had the following costs…

Domestic shipping through economy post, using a large letter (which would be the size of envelope), would cost me:

  • $2.20 if it was up to 125g.
  • $3.30 if it was more than 125g and less than 250g.

Internationally sending a large letter through economy post would be:

  • $3.20 if it was less than 50g.
  • $8.30 if it was between 50g and 125g.
  • $13.50 if it was between 125g and 250g.

I did not think it would be more than 250g, but it could easily have been more than 125g, the envelope counts too of course. While the difference between 124g and 126g in costs for shipping domestically is small, it jumps by more than $5 internationally, which is not an insignificant leap. Especially when I did not have an exact idea of how much the zine, envelope, etc would weigh, just a rough estimate.

Once I had settled on Mixam as the printer, they were kind enough to send me estimates of the weight of a single book, I also bought a few envelopes and used the heaviest for my calculations. Despite all the tests and estimates I still wasn’t 100% sure what the prices were going to be until I actually walked into the post office and was relieved to find I was right – it is within this size of 260mm x 360mm x 20mm, and less than 125g? Well, I’m not 100% because I haven’t had them printed yet, but I estimate that is the correct sizing and weight to be…

INSERT OBLIGATORY PLUG:

If you don’t have a copy of Corsairs you can fix that by heading to DriveThruRPG or Itch.io. If you missed the Kickstarter and are interested in a physical copy of the zine, there are still some physical copies left, contact me at caradocgames@gmail.com for details.

The supplement, Smoke and Oakum, is also available at DriveThruRPG and Itch.io now!

END OBLIGATORY PLUG.

With the tests made and weighed, adding in a heavier envelope of the correct size for good measure, I made the judgement that the zine would, in fact, weigh less than 125g, but more than 50g. This would mean that shipping domestically *should* cost $2.20 per zine, and internationally *should* cost $8.30 per zine.

Getting ready to pack the printed zines ready for shipping…

When I looked for envelopes I found plenty of options, but the ones I found early were quite expensive, at about $90 for 200, including shipping I rounded to $100, and that meant $0.50 per zine. Shipping labels I found for $30 (I could have gone cheaper, but wanted to be able to print them out – more on this in another post).

So what were the costs looking like given the ideal plan of shipping 200 copies?

  • Printing ($400 for 200 copies)
  • Envelopes ($100 for 200)
  • Shipping Labels ($30)
  • Shipping Domestic ($2.20 per zine)
  • Shipping International ($8.30 per zine)
  • Margin for screw ups (5-10%)
  • Kickstarter and processing fees (10% ish)
All packed up and lots of places to go…

I decided to absorb a small portion of the shipping costs by rounding the cents down to the dollars, $2.20 and $8.30 became $2 and $8. Ahh! But… Kickstarter collects that shipping as a part of the funding total and then applies it’s fees… so 10% (roughly) of each of those values was taken by Kickstarter… a point I initially (and stupidly) overlooked. Luckily I had built a margin for screw ups.

Of course, if I got 200 backers all of this would work out perfectly… which is why I based my final choices for the backer levels and funding goal on the more conservative estimation based on printing only 50 copies, where the costs would be defrayed over far fewer backers, meaning less profit margin on each zine. More on that in the next post though…

In the end, after all was done and dusted, Corsairs ended with 149 Backers wanting a physical copy. I posted those out a few weeks ago, and it cost a little over $1100 to do so. Meaning, of course, that a bit less than a third of the money raised by the Kickstarter when into postage.

This article is a part of a series about running a Kickstarter campaign for ZineQuest, you can find the other articles in this series here.

Levels and Goals…

Today I want to ramble about funding goals and backer levels. In the last post I listed what the costs would look like in an ideal scenario. I mean, in an ideal scenario I would get half a million backers, but what I mean in this case is an ideal scenario in which I printed 200 copies of Corsairs, and would sell close to 200 copies through the Kickstarter…

Playtesting Corsairs back in 2019.

Questions that needed answers were: What should the funding goal be? What should the backer levels look like?

Before trying to math out either answer I looked through a slew of the ZineQuests from 2019. It’s one thing to have an idea of how much the game might cost, but it doesn’t exist in a vacuum. Customers have expectations, and setting too high a funding goal, or setting the backer levels significantly higher than what has been charged in the past for similar products is going to turn potential backers off. Underneath all of this too, was the concern about the shipping costs. Shipping from Australia, as I wrote in my last post, is expensive. Whatever price I set for the backers who wanted a physical copy had to respect the fact that an additional cost was going to be tacked on, and for international backers, that was a significant amount ($2.20 domestically, $8.30 internationally).

In my last post I broke down the costs as I had worked them out so far, here I want to look at what they would be per copy of the zine. So what were the costs looking like in an ideal scenario?

  • Printing ($675 for 200 copies ($3.38 per zine) (all my calculations were on my original printing quotes)
  • Envelopes ($100 for 200 ($0.50 per zine))
  • Shipping Labels ($30 ($0.15 per zine))
  • Shipping Domestic ($2.20 per zine)
  • Shipping International ($8.30 per zine)
  • Margin for screw ups (?)
  • Kickstarter and processing fees (10% ish)

Overall it looks like the cost of printing the zine, as well as the cost of an envelope, a label, and the portion of shipping I was absorbing would add up to around $5.13 per zine. Not bad. Remembering of course that I was rounding the cost of shipping down, and Kickstarter takes 10% of the shipping money as well… $8.30 for an international backer was rounded to $8, of which Kickstarter would take $0.80, meaning I would get $7.20, and I was absorbing not $0.30, but $1.10.

Okay, so that all makes some sense… but it is not as simple as all of that. I could order print runs in multiples of 50 (50, 100, 150, etc). I wanted to take into account a margin of 10% losses in shipping, meaning that 10% of the packages would get lost somewhere en route, and I may need to resend them. I accounted for this by essentially saying to myself that if I get within about 10 of the next multiple of 50, I would print the next level up. With 30 backers I would print 50, but if it climbed to 40 backers I would print 100, I would have enough therefore to account for any losses. This introduces some issues, if I got close enough and printed the next amount up, but didn’t get too many more backers, the costs would be defrayed over fewer backers. The per zine costs above are only if I actually sold all 200 copies. If I sold only 140, the trigger point for raising the print run from 150 to 200, the costs would look like this:

  • Printing ($675 across 150 copies ($4.50 per zine))
  • Envelopes ($100 for 200 ($0.67 per zine))
  • Shipping Labels ($30 ($0.20 per zine))
  • Shipping Domestic ($2.20 per zine)
  • Shipping International ($8.30 per zine)
  • Margin for screw ups (?)
  • Kickstarter and processing fees (10% ish)

Overall, for printing, envelopes, labels, and the absorbed shipping it would be around $6.47 per zine, a jump of around $1.30.

If we hadn’t hit the first Stretch Goal backers would have been saddled with my art…

So in the worst case scenario, and betting on 200 copies printed, Corsairs would cost me $6.47 to produce. I have a margin for screw ups in there, and a margin for Kickstarter. Everywhere I read suggested something around 10% for a margin for error is a reasonable calculation. So that’s a 20% increase between Kickstarter fees and margin for screw ups. That leads to a cost of about $7.76 per zine.

In all of these calculations I haven’t included any costs for labour. The design, writing, editing, layout, none of that is included. Profits on the zine equate to pay, so I was content to leave it at that, but had to ensure I set the appropriate backing level. The other thing to consider is tax, but I’ll write a tangential note on that another day.

If I had set the backer level at $10 for the printed zine, with a cost of around $7.76 per zine, I was worried that if anything went wrong I would end up losing money. What could go wrong? The costs could go up of course, the price of printing, or shipping, any of those things. But of biggest concern was the exchange rate. All of my calculations are in Australian dollars. If that loses or gains value against international currencies it could lead to a big impact on the money raised, in Australian dollar terms, which is what I would be using to pay for everything. The exchange rate was also in my favour, with the Australian dollar weaker than the US dollar and the UK pound, meaning, I hoped, a more attractive price for international backers. But the risk of increasing or decreasing the money raised due to fluctuations in the currency was there. In the end I settled on a backer level of $15 AUD, which would roughly equate to $10 USD – very much on par with the cost of other Zine Quests.


INSERT OBLIGATORY PLUG:

If you don’t have a copy of Corsairs you can fix that by heading to DriveThruRPG or Itch.io. If you missed the Kickstarter and are interested in a physical copy of the zine, there are still some physical copies left, contact me at caradocgames@gmail.com for details.

The supplement, Smoke and Oakum, is also available at DriveThruRPG and Itch.io now!

END OBLIGATORY PLUG.


The logo for the Kickstarter page…

But what of the Funding Goal? Using the ‘worst case scenario’ above:

  • Printing ($675)
  • Envelopes ($100 for 200)
  • Shipping Labels ($30)
  • Shipping Domestic ($2.20 per zine ($0.42 absorbed per zine))
  • Shipping International ($8.30 per zine ($1.10 absorbed per zine))
  • Margin for screw ups (+10%)
  • Kickstarter and processing fees (+10% ish)
Felicity’s wonderful art. If you look carefully you can see the name of the ship: The Fyrerider. This was the ship of the playtest group…

If I assumed that in the best case I would get 200 backers wanting the physical copy, I would be spending around $250 on absorbing shipping costs, the total costs based on that estimate, and using the ‘worst case scenario’ for the rest of the costs, adds to $1055. Add 10% for Kickstarter and 10% for screw ups and that comes to around $1266. There are also other costs as well – test prints, software, ink, all the other bits and bobs I spent while drafting and making Corsairs. In the end I settled on a Funding goal of $1500, after all, many of the Kickstarter FAQs advise setting a thicker margin for error, because…

Another thing to consider is dropped backers. After the dust has settled and a Kickstarter has finished, there are a number of backers who, for whatever reason, drop out. While a funding level may look like it got $1000, it may in fact have only raised $850 because a number of backers have dropped out. A drop of a few hundred dollars in lost backers could have a significant impact overall.

So with all the mathing out of the way I had settled on my Funding Goal of $1500 AUD, and the backer level for the printed copy at $15 AUD. I decided to drop the price for the digital only copy to $10 AUD (about $6.70 USD when the Kickstarter launched), because that seemed on par with the costs of other zines in the 2019 ZineQuest.

Two things changed over the course of the Kickstarter: 1) I swapped my printer to Mixam, which meant a significant drop in the cost of printing. And 2) I realised that Kickstarter would take 10% of the shipping fee as well (yes, I was stupid), luckily I built in a margin and had a reduction in the printing costs.

So how did it wind up? Corsairs ended with 149 backers wanting physical copies, which was high enough to push to the 200 copies I was hoping to print, but was also close to the worst case scenario in terms of costs for printing that many copies.

Ending by writing that the Kickstarter resulted in a worst case scenario sounds gloomy and ungrateful. This is not the tone I intend, Worst case scenario in this context was my short hand for the different calculations I was using. I don’t mean ‘worst case scenario’ in a bad way – Corsairs funded, has been fulfilled, and exists in the world – believe me when I write that I was elated when it funded and am thrilled still!


This article is a part of a series about running a Kickstarter campaign for ZineQuest, you can find the other articles in this series here.

Certain of my uncertainty

When I decided to run a Kickstarter as a part of the ZineQuest, I was pretty sure that the only thing I was certain about, was that I was uncertain. I was uncertain of so many things. But… let’s start with what I knew:

The original test print with the original art (drawn by my own hand – the backers are lucky we found Felicity! 😀 )
  • I knew I would run a Kickstarter for ZineQuest.
  • I knew that it would be for the game Corsairs, which was designed, tested, and written.
  • I knew that I would do the layout, editing, and to begin with at least, the art for the project.
  • I knew that I would have three funding levels – one thank you, one digital only, and one print and digital.

So what didn’t I know?

  • I didn’t know what money amount I should set the funding goal at.
  • I didn’t know what price I should set the backer levels at.
  • I didn’t know what the costs involved would be.
  • I didn’t know how many updates to plan for.
  • I didn’t know if I should do Stretch Goals? If I did, what would they be?
  • I didn’t know how to advertise my Kickstarter, or get the word out beyond posting it on my social media.
  • I didn’t know how big the envelopes would need to be.
  • I didn’t know how much shipping was going to cost.

And soooooo many other things…

I started with one thing: what would the costs for printing be? I inquired at a local printers and looked at Mixam online. From the local printer and from Mixam I looked at printing quotes for 50, 100, 200, and 300 A5 zines with a range of paper qualities and cover types. In the end I knew that I had to settle on something, so I chose to run with an internal book of 32 A5 sides, printed on 115gsm silk paper, and a 4 side cover in 250gsm with a laminate finish, saddle stitched. This was the book all my prices were based on, and the book I would eventually print. I had no intentions to including stretch goals that added colour, special effects, or anything of that nature. My reasoning? This was a first experiment at a Kickstarter: keep it simple the first time around, follow the ZineQuest guidelines, and get it done successfully.

Originally I was going to use a coloured card cover, but to have it laminated locally was going to involve a second business, and that was going to push the prices up higher. Going local was something I wanted to do, but with fewer options available, and a much higher cost for printing involved, I ended up going for Mixam. This was a final choice I made during the Kickstarter.

The finished booklet! So good!

If I was to print 200 locally, it was going to cost around $675, through Mixam with the same paper weights and laminated cover, it was going to cost a little over $400. With uncertainty the name of the day, especially around the costs of everything involved, I decided to go with Mixam. I had read good reviews of Mixam’s printing quality, and while I would have liked to support a local business, I made the choice to go with Mixam.

While I was working all of this out I became painfully aware of how much international shipping was going to cost. So how to price out a funding goal? I made the assumption that international backers would tend to go for PDFs (I was wrong), and assumed that the printing costs therefore were likely to involve a smaller physical print run. The cost of printing overall goes towards working out the funding goal level, but divided by the number of booklets printed it contributes to the price of the backer level. For the Funding goal calculations I decided to hope, and chose to use the prices for 200 copies. For the backer level prices I decided to go conservative, and run with the per zine cost of a print run of 50. I was hedging my bets, hoping that the price of the larger run wouldn’t make the funding goal too high, but trying to ensure that the backer level prices were high enough to cover a worse case scenario. I was happy I made those choices…

That worked out, what else did I need to know to work out the Funding Goal? What were the other costs involved?

  • Printing ($400)
  • Art (?)
  • Envelopes (?)
  • Shipping Labels (?)
  • Shipping (?)
  • Margin for screw ups (?)
  • Kickstarter and processing fees (10% ish)

While I was researching the costs of printing, I was also working out the costs of shipping, but… I think I have written enough for now. The next part will come next time.

INSERT OBLIGATORY PLUG:

If you don’t have a copy of Corsairs you can fix that by heading to DriveThruRPG or Itch.io. If you missed the Kickstarter and are interested in a physical copy of the zine, there are still some physical copies left, contact me at caradocgames@gmail.com for details.

The supplement, Smoke and Oakum, is also available at DriveThruRPG and Itch.io now!

END OBLIGATORY PLUG.

This article is a part of a series about running a Kickstarter campaign for ZineQuest, you can find the other articles in this series here.


Smoke and Oakum has Launched!

Smoke and Oakum is the first supplement for the Corsairs RPG; and delves into the world of Sky Ships and sailing the skies of the Molten Seas.

In it you will be able to find rules and guidelines covering:

  • The effects of fair weather or challenging winds.
  • Rules for encounters with storms, shoals, and more of the dangers that can foul a sky ship.
  • Guidelines for running a crew or factions within a crew on board a ship.
  • 6 new Conditions that can have a serious impact on a ship and it’s crew.
  • Rules for chases which expand on the recommendations in the core rules, and include bonuses and setbacks for starting a chase at a lower or higher level than the target ship.
  • A ship may gain a Reputation, or be upgraded, and there are a range of upgrade options from a Figurehead to larger cannons all of which can make a ship better, more fearsome, or more dangerous.
  • Two collections of stat blocks for enemies a Corsair Sky Ship might face off against, one titled ‘Sails Ho’, and the other ‘Here There Be Dragons’…

Sitting at 32 pages from front cover to back cover Smoke and Oakum is almost as big as the core rules.

Of course, Smoke and Oakum also includes more of Felicity Haworth’s wonderful art, and I hope you love how she has brought the world to life as much as I do!

Also included is a new and updated Ship Sheet, including room for marking a ship’s Point of Sail, details on the Crew, and other sections to accommodate the added rules in Smoke and Oakum. There is a page of Condition Cards, which may be printed and cut out to help track the conditions player characters or a ship might be suffering from at any given time. As well as a faction sheet, for play groups who want to delve into the murky waters of a conflicted crew.

Smoke and Oakum is a supplement that adds new material geared toward making your play experience as Corsairs sailing their infamous sky ships a more interesting, dramatic, and exciting experience!

You can find Corsairs on DriveThruRPG here.

You can find Corsairs on Itch.io here.

For those who love the art in Corsairs as much as I do, the artist is Felicity Haworth, and you can find her work here.

How things Change…

I started developing Corsairs as an idea back in the middle of 2019. I wanted to make a game that mingled the ideas of pirates and freedom fighters; rebellious sorts who wanted to strike a blow for freedom against the machinations of heartless Empires. Tropes common enough in modern takes on pirates in film and TV. So the setting was born, and the game systems evolved from that. I might take some time in another post to talk about the evolution of the mechanics, but today I want to talk about the game itself, as a thing, and about ZineQuest in general.

In 2019 I started a Patreon, with the idea that I would make a series of micro-games and people would flock to my Patreon, and… no. Not really. I started a Patreon, and released a few smaller games through that, and subsequently on DriveThruRPG and Itch.io. You can find them on the ‘Our Games‘ page if you’re curious. Corsairs was originally intended to be a part of that, one small game in among many. But… As I designed these smaller games they grew… Freedom or Toaster was the first, and each game subsequently grew a little… Part of that was the idea that I would have ‘exclusive content’ in the Patreon version, while the base game would be on DTRPG and Itch. As I was writing the beginnings of what would become Corsairs it was already becoming a ‘larger thing’.

Early character sheets. Originally the game was made in an A4 layout.

Then Kickstarter announced it would be doing ZineQuest again. ZineQuest was a thing I wanted to do. A thing I wanted to challenge myself to do. I had a choice. I could develop a new game specifically for the ZineQuest, or I could continue to develop, test, and make Corsiars into that game. I was honestly torn. Corsairs had already had a bit of work, and if I had pushed I could have quite easily released that and done something else for ZineQuest. It’s not like I’m lacking in ideas.

I decided not to do two things almost at once. Running a Kickstarter for the first time, actually writing, getting art, laying out, printing, and shipping a game would be enough work. I’m glad I chose to focus on Corsairs, because it gave me time. I had time to finish the game rules in September and November of 2019. And that gave me time to do a ton of research into all the things I didn’t know I needed to know for producing a game. Writing one I could handle, producing one, that was new. I’m glad I gave myself time, because there was a lot to learn.

A test booklet, all blank, and the incomplete print of an early draft.

So I decided to do ZineQuest, and that changed things. It changed a lot of things. What was going to be a coloured A4 PDF needed to be a two tone A5 booklet. What would that even look like? What is imposition? What size envelope would it need? How much would that cost? I made some early prototypes, just to get a feel of what size it would be and how much it might weigh. Would it be under 50g? That would make shipping very affordable! More than 50g and the price nearly quadruples. Australia, woo!

Without hitting that stretch goal, Corsairs would have looked like this…

What would I do for art? How much art? How much is art? What rights and rules are there around using art? All of these were things to consider. I drew the first cover, it was the image that I used for the Kickstarter. I knew I wanted to get a professional artist to work their magic, but that was only something I could afford to organise if the Kickstarter was a success, it was only something that could happen if I met the funding goal, and then the stretch goal for professional art. Thankfully it did.

The physical copy… final.

With the rules already written and tested, I could spend the latter part of December and January preparing for the Kickstarter, researching, working on costs, and trying to nut out a plan of how I was going to actually run the Kickstarter itself. This involved a lot of emails to artists, to people who had previously run Kickstarters, and looking back at the games that were released in the last ZineQuest. I knew the ‘rules’ of ZineQuest stipulated two tone, saddle-stitched booklet or loose pages, and a few other conditions, but I also knew that plenty of the games that had been in the 2019 ZineQuest had broken those rules with impunity. There was colour galore and a few hardbacks in there too. Still, I wanted to do the thing, and I wanted to stick by the guidelines, for 2020 at least. I could, maybe even should have had a colour cover as a stretch goal, but I love what it looks like now, so I’m happy.

How things change… Corsairs grew from what was to be a small micro-rpg released on Patreon to a 36 page saddle-stitched booklet with professional art funded through the Kickstarter promotion of ZineQuest.

The final Character sheet, a little different from the A4 version above…

INSERT OBLIGATORY PLUG: If you don’t have a copy of Corsairs you can fix that by heading to DriveThruRPG or Itch.io. If you missed the Kickstarter and are interested in a physical copy of the zine, there are still some physical copies left, contact me at caradocgames@gmail.com for details. END OBLIGATORY PLUG.

Running the Kickstarter for ZineQuest was a great learning curve and a wonderful experience. I won’t pretend it wasn’t a lot of work. It was. I won’t pretend I didn’t spend a lot of hours writing updates, comments, getting the word out there, pushing, pushing, pushing. I did. But it was worth it. Not terribly worth it from a financial point of view – that might be the subject of a later post. But worth the experience. It was a learning curve, and I did a lot of things I had never done before. I commissioned art and got to work with a wonderful artist, Felicity Haworth. I got to buy a large quantity of envelopes after working out which ones were the right size. I got to lay a document out, and decorate it with ink spatters and mess. I got to price shipping for the UK, the US, Iran, and China. I got to work out costings, incoming and outgoing, and then hope like crazy I hadn’t made some egregious mistake in there somewhere. I got to communicate and interact with a huge number of zine fans and indie TTRPG folx. All of it was a great experience, and yes I would do it again. Yes, I am planning on doing it again.

If you are at all interested in running a Kickstarter, or participating in the ZineQuest, I have tried to keep a record of many of the helpful sites, links, and online posts on the ZineQuest page here. These helped me greatly. There are also links to the articles I have written on this blog, charting my thoughts, plans and experiences. Articles I plan to continue with, and will continue to link there.

So final thoughts? If you’ve ever considered writing and making an RPG ZineQuest is well worth trying out. Check out the ZineQuest page on this site, and do your research. It is a lot of fun, and well worth doing.

Smoke and Oakum

Smoke and Oakum is the first supplement for the Corsairs RPG, and delves into the subject of Sky Ships and sailing the skies of the Molten Seas.

Sitting at 32 pages from front cover to back cover it is almost as big as the core rules, and covers a lot of ground. In it you will be able to find rules and suggestions covering a slew of topics, from the effects of fair weather or challenging winds, to rules for encounters with storms, shoals, and more of the dangers that can foul a sky ship. There are guidelines for running a crew or factions within a crew on board a ship. 6 new Conditions that can have a serious impact on a ship and it’s crew. There are rules for chases which expand on the recommendations in the core rules, and include bonuses and setbacks for starting a chase at a lower or higher level than the target ship. A ship may gain a Reputation, or be upgraded, and there are a range of upgrade options from a Figurehead to larger cannons all of which can make a ship better, more fearsome, or more dangerous. Of course, Smoke and Oakum also includes more of Felicity Haworth’s wonderful art, and I hope you love how she has brought the world to life as much as I do!

Also included are two sets of stat blocks for enemies a Corsair Sky Ship might face off against, one titled ‘Sails Ho’, and the other ‘Here There Be Dragons’, and I’ll leave it to you to imagine what might be covered in the second!

At the back of the book is a new and updated Ship Sheet, including room for marking a ship’s Point of Sail, details on the Crew, and other sections to accommodate the added rules in the book. Lastly there is a page of Condition Cards, which may be printed and cut out to help track the conditions player characters or a ship might be suffering from at any given time. In short, Smoke and Oakum is a supplement that adds a lot of new material, all of it geared toward making your play experience as Corsairs sailing their infamous sky ships a more interesting, and nuanced experience. I am really thrilled with how Smoke and Oakum has come together, and I hope anyone who snags a copy of Smoke and Oakum will get a lot from the book!

I expect Smoke and Oakum to be available from DriveThruRPG and Itch.io within the next ten days, and I’m really excited to read what people think!

Speaking of which… if you have a copy of Corsairs consider heading to DriveThruRPG or Itch.io and giving it a rating or review, these things really help, and are very much appreciated! If you missed the Kicksarter and are interested in a physical copy of the zine, there are still some copies left from the print run, contact me at caradocgames@gmail.com for details. I am looking at a bunch of options to allow me to sell physical and digital products online at the moment, but I haven’t made any decisions on that front just yet.

Phew… So what’s next? Well, I am currently working away at Speed, Strength, and Wits, which will take a look at characters in the same way Smoke and Oakum took a look at Sky Ships and sailing. Beyond that… who knows. I am working on an adventure at the moment that I may just write up and put up for sale, and I have a half a dozen things I would have liked to include in Smoke and Oakum but just wasn’t able to fit in. If there is interest, I am keen to keep developing the Corsairs world!

Beyond Corsairs I am working on a new RPG setting and system that I was hoping to launch later this year, but which I may just hold on to in anticipation of next year’s ZineQuest (presuming Kickstarter run it again). I am really digging the theme and world I am currently developing, so we’ll see how it progresses!

Lastly, if you want to keep up with Corsairs, and everything else happening at Caradoc Games, head here to join our mailing list, or follow us on twitter @caradocp or @caradocgames