Category: Design

Posted on

Zine Quest – Why Kickstarter?

Previously I wrote about ‘Why ZineQuest‘, but let’s back up a bit and ask why Kickstarter?

In late 2018 I was getting the urge to scale down the freelance writing I was doing, and start working on projects of my own. This led me to start development of a large fantasy RPG: Ashmerl, and a collection of smaller RPGs. I wasn’t sure about what the the best way to sell these games was. Just whack them up online for purchase? Look at fleshing some out for self-publication? There were many potential avenues and I was undecided. Then Patreon announced it was changing it’s fee structure…

In mid 2019 I accelerated my plans, had a logo designed, set up Caradoc Games, and launched my Patreon. I did it because Patreon were changing their fee structure and getting in before that happened meant I could avoid some of those fee changes, having a uniform identity from the start would prevent messiness later on, so I did it all at once. In the months after setting up my Patreon I wrote and released four micro-RPGs, both in basic and expanded versions. The goal was this: To write basic games that people could download for free, and include links in each to my Patreon. On Patreon my patrons would have access to the expanded versions of these games. Simple: drive traffic to Patreon in the hope it would encourage people to sign up as patrons in order to get the expanded games.

It did not happen.

I might have been a relatively successful freelancer (well, busy at least), but I did not have an audience. My email list languished, the views on my site were minimal, on the upside the number of downloads were great, but the next step, getting people to Patreon… it did not happen. This could be related to the audience, it could be related to the quality of the games, it could be that I didn’t or don’t market it well, it could all manner of things. To be honest, I think a lot of games that get downloaded for free don’t end up getting played a whole lot. Read perhaps, but played? Maybe I am thinking too much about the number of games I download vs the number of games I actually manage to get to the table, but it is also a potential reason, so… Obviously this is something I need to spend some time considering. Is it worth going back and rethinking how I am doing my Patreon? Is there something I could be offering or doing that would see a change? I think there is, but that is a subject for another day.

Originally Corsairs was intended to be one of the Patreon games. It would have been a smaller game than it is now, but that was the goal when I first started to develop the idea. Then whispers starter to circulate… ZineQuest was coming back in 2020. In October/November I knew this was something I wanted to take part in, for all the reasons I wrote about in my previous post. Namely: it offered the potential for an audience I lacked, it offered the chance to try Kickstarter with as many elements tilted in my favour as possible, and it challenged me to actually do something different, and learn a whole slew of lessons in the process.

With the methods I had been trialing in the middle of 2019 broadly unsuccessful, here was an opportunity to try something different, during a promotion that I hoped would help provide me with the best opportunity to be successful.

Of course, while the timing seemed ideal to trial running a Kickstarter, crowdfunding offers other benefits. With an upfront injection of capital I would be able to do things that I could not have justified otherwise. It allowed to me to trial printing physical copies, something I would not have considered otherwise. I mean, I could have printed physical copies of course, but what would I do with a couple of hundred copies of my game sitting in a box? Hope to sell them slowly? Set up a webstore to sell them? Sell them through my site? eCommerce additions to WordPress cost money, as they do through any other platform. If it was a book to be sold through Amazon or similar, then I might need to consider getting an ISBN and barcode, which costs more money, and I would have no way of knowing (without an audience remember) whether I would sell even half a dozen copies, let alone more than 100.

Upfront capital also allowed me to commission an artist, in the case of Corsairs: Felicity Haworth. Without the upfront capital I could have commissioned an artist, potentially, but it would be a cost I wasn’t confident I could recoup. Prior to running Corsairs I spent hours and hours drawing all the artwork seen on the Kickstarter page myself. Now, I’m can put together a reasonable drawing, although I am better with a pencil than a stylus, but being able to hire someone who is far more capable than I is going to give Corsairs a quality and life I couldn’t have achieved on my own.

Of course, assuming the risk in the hope of reward is how businesses have run since Glob decided to sell amber beads through Ötzi. But Crowdfunding provides opportunities for small time businesses and indie creators to take risks on their ideas through a safer and more defined pathway. For me, creating an indie game, having a small or next-to-nonexistent audience, and wanting to create something that looked nice and could be physically handled, was going to be cost prohibitive. Kickstarter provided a vehicle through which I could mitigate the financial risks, and have a greater opportunity to grow and connect with an audience.

The process of running a Kickstarter, gaining backers, and getting funded, cuts out many of the uncertainties. I know how many physical copies I need to get printed, I have budgeted for art, I have budgeted for shipping costs. All of these things have been considered and accounted for. Running a Kickstarter has defined what my budget parameters are, and given me the exact number of zines I need to print (plus a margin for error). There may be complications along the way, and Kickstarter is by no means a perfect solution, but it is a very useful one, especially for small time creators trying to share their work with the world at large. Is it also widely used by big companies, you bet, and I can see why, but that’s a different topic.

Corsairs hit Kickstarter as a part of ZineQuest. What was going to be a small PDF-only game released on DriveThruRPG and Itch, as well as to Patreon, has grown to a 32 page Zine. Kickstarter has allowed me create something that will be printed, with high quality art from a professional artist. In the process it has also allowed me to learn about laying a document out, printing processes, commissioning an artist, fulfillment, and perhaps more important than all of the above, gain an audience of over 200 backers. I am pretty happy with this humble beginning…

Why Kickstarter? Well, if you managed to make it this far I hope the answer is clear!

Posted on

Corsairs – Set to Sail

14 Days. That was the length of the Corsairs Kickstarter Campaign for the ZineQuest. Before launch I had my worries, I had my doubts, I had a cynical and self-deprecating voice in the back of my mind telling me Corsairs would fail. It didn’t.

236 Backers raised over $4000 AUD to help make Corsairs a reality. We hit a funding level of 274% and unlocked three stretch goals. We unlocked a better quality zine, improved art from Felicity Haworth, and two further PDF zines that will expand the Corsairs rules and setting.

I’m not sure how I feel. On one hand I am stunned, shocked, thrilled and excited, and on the other I am daunted by the challenge that lies ahead, and the worry that I can still muck it up. Replacing the concern that no-one would be interested and that the Kickstarter would languish unnoticed and forgotten is the concern that people who get the zine will be largely unimpressed. Such is the journey of anybody who creates content in the hope that others will like it I suppose! I cannot sit in a puddle of idle self-doubt, I have 236 people to thank and a successful Kickstarter campaign to celebrate! So onward!

An early test print.

Over the course of the Kickstarter campaign I wrote 23 updates counting something like 13,000 words all told, I did one interview, tweeted a lot, and gave shout outs in my updates to 23 other Kickstarter ZineQuest campaigns. I got a lot of feedback, a huge amount of support, and was stunned when the campaign funded on the second day, and hit 274% of the funding level by the time it wound to a close.

It’s been a roller coaster. I have learned a lot, and I recognise that I have much yet to do and learn. I am looking forward to the chance to officially commission Felicity to complete the artwork for Corsairs, and excited to see how it will all come together including her wonderful artwork. I have two source-zines to write: Smoke and Oakum, which will expand the rules for sky ships and sailing, and Speed, Strength, and Wits, which will expand the rules for characters. Through both I hope to also expand the setting and lore of the Molten Sea and the famed Floating Islands, as well as layering in as many adventure seeds as I can. All in good time! For now I have some freelance work to complete while I wait for Kickstarter to process the campaign. Once this is done I will be taking time out to finish Corsairs, and make the rules book and the source-zines that follow it as wonderful, and full of value for my backers as I can.

Playtesting was a lot of fun!

All in all Corsairs has me wondering about the viability of running a small zine campaign again later in the year. Yes it would be outside of the ZineQuest promotion, and that I have no doubt would significantly impact visibility, but I had a great time running the Corsairs kickstarter campaign… I got to interact with a wide range of wonderful and supportive people from gamers to designers and fellow zine-questers, and generally had a lot of fun. Then again, maybe I should instead focus my attention on my larger fantasy RPG: Ashmerl… Decisions… we shall see!

Posted on

Corsairs – Characters

Corsairs will be coming to Kickstarter as a part of the ZineQuest in a few days time. In the lead up I wanted to show a few of the details, and today that means talking about characters!

You can tell a lot about a role playing game from the character sheet, and this is the character sheet for Corsairs:

Characters are built around their statistics: Finesse, Might, and Wits. This dictates the base number of D6 rolled when a character is attempting a task. Each statistic has three linked skills, and these will provide bonus dice a character may roll, and can be improved with experience.

Characters also have Luck points, and these may be used to modify dice, or to add some narrative element or device to the game that aids the character in their hour of need!

As the pirates close in on poor old Edward Evans he stumbles across a small gully, Evan’s player spends a luck point and states that in the gully are some picketed horses… just in the nick of time!

Characters will also have positive and negative relationships with the other characters in the group. In our playtests Del Fuego had a negative relationship with Scarred Pete because Pete’s Monkey nearly pulled out Del Fuego’s infamous moustache.

Relationships provide a benefit or impose a negative effect when the characters are working together and helping each other out.

Characters have gear! Each character will also begin the game with one special item. Scarred Pete had his monkey, Del Fuego had his moustache. Special items provide a bonus to one skill.

At the bottom of each character sheet has a Damage chart, which is where a player tracks how injured a character is. Injuries can mean negative effects for the characters, like the Cursed condition. The Damage chart also shows how difficult the injuries are to heal…

Lastly, most characters will have a role on ship, this will mean certain jobs they are in charge of when a ship is getting ready, plotting a course, sailing, or locked broadside to broadside with an enemy!

Corsairs will launch on February 2nd! Check out the pre-launch page here, and click to get notified when it launches!

Posted on

Corsairs – Coming Soon to Kickstarter!

The Corsairs Kickstarter preview is up! Check it out here!

Corsairs will go live for Kickstarter’s ZineQuest on February 2nd.


Corsairs is a 32 page RPG zine of sky ships, floating islands, and high adventure! All the expected rules are there: actions, combat, giving a foe a damned good tongue lashing, Corsairs even includes rules for sky-ships and broadsides!

Corsairs does not include a GM chapter, or the usual ‘What is an RPG’ section, but it is choc full of rules, Scoundrels, and background. It also includes a Summary page, a character sheet, and a ship sheet.

Again, you can check it out here!

Posted on

Zine Quest – Starting Line In Sight…

For the briefest of moments I was going to title this: Finish line in sight… but then I came to my senses. The starting line is in sight, and the kickstarter page for Corsairs is almost ready to be submitted for approval. I need to make some small final adjustments, run over the maths again for the millionth time, and hit submit… it is close!

The bleed has been adjusted (I made an error with the cover that has been fixed), and the finished book will use a light blue cover stock.

A part of all the organisation and planning that has gone into this is sorting out the costs of shipping. Shipping from Australia is expensive, and maybe, just maybe, the currency conversion rates for the weak Australian dollar in comparison to the US dollar, the Euro, or the Pound, will make a difference, but the fact remains: shipping from Australia is expensive. Working out exactly what those incidental costs will be is important. The cost of printing the zine is A, the cost of art, writing, and all those other creative parts B, the cost of shipping is C, and the cost of the shipping materials is D.

The cover is 250gsm stock, while the interior pages are 100gsm. The zine is saddle stitched, and printed in black and white. Again, the printed book will have a light blue cover.

A+B+C+D is what the zine costs me, to send to you, the backer. I have quotes for A, a cost for B, and know what D will be. The cost of C, shipping, is dependent on weight. The weight of the zine, the weight of the packaging, and the added weight of shipping labels and so forth.

To aid in this process, and to make sure everything is ready to roll as it should be, I have had a test book printed. This proof helps me for a number of reasons, one: I can test the actual finished weight of the zine. Two, I can make any adjustments required (already I can see that aspects of the character sheet are too close to the gutter and need to be adjusted), and so on. Plus, it is super nice to hold a physical copy of the zine, and to see what it will look like.

It should be noted that the print proof is not using blue stock for the cover (as the finished zine will), but all the paper weights are correct and accurate, and will give me the information I need to move forward with shipping estimates. I must say that I am rather happy with the finished product. A neat, nice looking little booklet that contains all the rules required to go a-plundering the ships and shipping lanes of the Alderil Empire in a sky ship are present and correct! Very nice!

A sneak peek at the contents – all the rules and background included. Rules for characters and actions, rules for creating characters, rules for ships and ship to ship combat, rules and lists of equipment, scoundrels, a quick reference, and the obligatory character and ship sheets!
Also, my playtesters complained that I didn’t mention all the arson they undertook in the dedication, and to be fair to them, there was a lot of it.
Posted on

Zine Quest – Shipping from Down Under

I went to a local post office. I figured it was better to speak to someone with expertise rather than noodle around on the Australia Post website for hours to find the same information.

“If I was interested in sending an A5 booklet. This size (I had two samples). What would the cost be to post domestically? Internationally? To the US? The UK? Europe? China? etc…

Before too long the scales held the samples (both), and a price was forthcoming.

“How much?”

Shipping from Australia is expensive. Hell, shipping to Australia is expensive, in the instances when I have purchased games from overseas the shipping has often cost more than the game.

Shipping domestically is fairly well priced, a little over a dollar for something like an A5 Zine, plus the cost of the envelope it is put in.

Shipping internationally, wow.

A5 booklets can be sent as letters in the appropriate packaging, packaging from Australia Post can cost anywhere between $50 for 100 envelopes, through to $90, depending on the quality. In other places, like Office Works or similar stores that specialise in stationary and office supplies, you can find cheaper alternatives.

Postage costs, in the case a zine being sent as a letter, are based on weight. If the total weight (the weight of the booklet and the envelope together) is less than 50g, then the cost to send to most places internationally is $3.20. Between 50g and 125g, and the price jumps to $8.30. If it’s between 125g and 225g, the prices jumps again to $13.50, and beyond that and you’re probably not sending a zine.

So I’m waiting for the printer to get back to me with options and projected weights, and the choice here lies somewhere between getting as low a weight as possible and maintaining a level of quality.

The postage costs are high, which makes them difficult to roll into a backing level in the case of the Zine Quest. If my zine ends up weighing over 50g (envelope included), which is likely, it will mean adding or absorbing $8.30 on top of the cost of printing, and on top of any additional margin for losses, profits, and so on).

What does this mean for the Corsairs Kickstarter? Well, if the weight is over 50g, which is likely, it means that I will likely charge for shipping on top of the cost of the Zine – backing levels will be set at x, shipping at y, and backers who want a physical copy will be required to pay x+y.

If, in the unlikely scenario, that the weight is beneath 50g, then I may be able to increase the cost of the backing level for the physical Zine slightly, and absorb some of the shipping costs. Is the prospect of ‘free shipping’ worth it? What will it bring to the campaign? These are questions I need to ask myself.

On the upside the Australia dollar is fairly weak compared to most major currencies, so my $8.30 (well, $8.30 plus the cost of the envelope) for shipping translates to about $5.70 USD, €5.15 EUR, ₤4.5 GPB, $7.5 CAD, or ¥39.5 CNY. Perhaps that makes it more palatable, perhaps it doesn’t…

All food for thought!

Posted on

Zine Quest – Moving Forward

Tentative cover…

As Zine Quest approaches with the unstoppable momentum of… a… a thing with unstoppable momentum, preparations are well underway. The rules are fairly well finalised, and playtesting continues apace. Layout is almost complete, though I have a few more pieces of art to finish. I have finished the cover, and have investigated shipping costs. I still need to confirm with the publisher, and finalise the weight of the zine, which will give me the final shipping costs, but everything is moving, and generally speaking, it’s moving forward.

Prior to Zine Quest, everything has since been modified to accommodate the KS rules for colour.

It has been a lot of fun running through playtests, we’re currently in the process of testing a mini-campaign that will be available as a stretch goal, should Corsairs make it that far. There has been much chaos, many fires, and even a riot or two in the ports of the floating island of Teboa. All good fun!

Playtesting with the old character and ship sheets, but with the new rules.

Over the course of playtesting, we have changed a bunch of the smaller rules, streamlined some others, and heavily modified stats throughout. Playtesting is such a valuable process. I was thrilled the core mechanisms held together and work well, but playtesting has helped everything else. The book has been significantly restructured as a result of feedback, as well as a result of flipping through to find things during play. If I had my time over, I wouldn’t draft the zine in a layout program like Affinity – I would write it in word, and transfer it to Affinity, but it has been a hell of a learning process, and I feel much more comfortable dealing with Affinity had I done it the other way around.

The manor house, storage sheds and stables are all on fire… it was meant to be such a simple mission!

At the moment I am working through a list of updates, creating the Kickstarter page, and working on ideas for Stretch Goals. When I get the final weights from the printer, I will be in a better place to set the funding goal, backing levels, and make the choice about whether to roll shipping into the price, or to charge for it separately. Being in Australia has some serious implications for shipping, and everything comes back to weight, but I’ll write more about this another day.

With everything coming together, albeit slowly, I am hoping that Corsairs will be launched as a part of the Zine Quest in the first or second week of February! Keep your patchless eye open for it!

Posted on

Zine Quest – Resources…

I added a page to this site to catalogue resources I found across the internet in the lead up to the Zine Quest. You can find it on the page tab, or here. As February approaches, I am finding a few more useful threads on Twitter and on various blog sites around the web. I wanted to highlight some of these here.

First off is @zeshio on Twitter. Zeshio has a number of fantastic Twitter threads about various things to remember and consider when it comes to creating a Zine for the Zine Quest. Three of these particularly caught my eye, and are linked to on the Zine Quest page. The first of these is a Twitter thread about printing. In this thread there are a range of useful tips, tricks and nuggets of advice. Things to do with paper weights, binding types, costs of printing, things to remember when creating the file, and so on. Well worth a read, a reread, and then a rereread.

Second in the list of helpful posts from Zeshio is his blog post about shipping. Shipping, he states, is likely to be the largest cost for producing a zine. He then delves deeper into the subject, considering weights, shipping methods, satchel sizes, and so on. Again, this post is well considered, and contains a huge amount of very useful information. Check it out here.

Last of the three (but not last of Zeshio’s great advice – check him out on Twitter!) is a compilation of stats drawn from the last Zine Quest. This is a google-doc that contains a wide range of data points, how many Zines were a part of the Zine Quest, how many funded, how large were they, how many had stretch goals, what were the funding levels, what level did they fund at, and so on. Really interesting and relevant stuff, that contains a lot of useful points that can be extrapolated. Do stretch goals correlate with funding? Are higher backing levels more likely to succeed than lower backing levels, and so on. On the summary page of the google doc Zeshio develops some thoughts around the data, and asks some interesting questions. Well worth checking out!

I’ve said it already, but if you are looking at developing a Zine Quest, or are a fan of the TTRPG industry, you should most definitely check out and follow @Zeshio – on top of all that he is a fantastic artist.

Next cab off the rank is Exalted Funeral, @ExaltedFuneral, who put a call out for anyone interested in having them handle fulfillment. Well worth checking out!

Last, but not least, is a wonderfully in-depth article by Clayton Notestine, @ClayNotestine, that has been circulated on Twitter, reddit, and elsewhere, all about layout. This blog post really delves into the subject of layout, takes a look at dos and don’ts, as well as examines some wonderful examples from a range of RPG products. This link is not just for Zine Quest, but a must read for anyone interested in learning about layout (like myself), or who is jumping into the subject without having any great prior knowledge (like myself).

I am trying to keep a track of the various links I find interesting or useful over on my Zine Quest page, so if you’ve read this far and have some links that you think would suit – shoot me an email (you can find it here) or hit me up on Twitter!

As an aside, my Zine Quest project, Corsairs, has nearly finished being laid out (I am doing this myself this time around, and using the Affinity Publisher program, which I have thoroughly enjoyed). I’m currently in the middle of playtesting a campaign that I hope will be available as a stretch goal – we shall see!

Posted on

Achievements – Board Gaming

2019 saw me step back into board gaming in a bigger way than I had for a number of years. Last post I wrote about all things related to 2019 and role playing, this post will focus on board games.

ShepparCon

2019 saw the third ShepparCon take off, a local game convention squarely focused on board games. Every year we have grown a little more, and given our venue for the last two years, some questions need to be asked and answered in the planning phase for 2020. It was a great event, and over 150 attendees came over the weekend for games large and small. I am proud to be a part of the organising committee for this convention, and have had a blast running the Wits and Wagers tournaments the last few years. A big shout out to Dominic Crapuchettes, from North Star Games, for being such a sport and recording a silly congratulations message with me for the winning team, or, as they were dubbed, the Wits and Wagers Champions of the World. It was a highlight!

Game Designs

Tentatively: Colour Jungle…

One of the other organisers of Shepparcon is a board game designer by the name of Karl Lange (you can find his website here), and we had the opportunity to put our heads together and brainstorm some ideas over the course of the convention. One game concept span out into three or four different game ideas, some of which are still in development. The most polished of these Karl took with him to Essen last year, and while we haven’t had any solid bites yet, we have had some positive and encouraging feedback, so that is something!

Working with a co-designer has been a great experience, and I hope it is something Karl and I can continue into 2020. This general focus on board games led me to create two other small prototypes, both of which deserve junking, but the bug has bitten. I am hoping to continue it in the coming year.

The hardest thing, as I have previously expressed in regards to role playing games, is finding both the time and the people for playtesting. I’m lucky enough to live in an area with a lot of gamers, but very few (that I know at least), who are interested in design. I am lucky that I have a long suffering group of close friends and family who will tolerate playtesting my games, but it is still a significant difficulty to find the time to make it happen.

As for playing games, this year has seen a significant rise in the number of games I have managed to get to the table. There has been some solid variety, many new games (many of those from Kickstarter), but I have also managed to blow the dust off a bunch of older games that have been sitting in my shelf unloved for years. For stand outs and most played games, well, I think that’s something I’ll come back to in a later blog post!

Podcasting

Last but not least 2019 saw me dust off my microphone and get a few things recorded for some podcasts. Last year I had the pleasure of gracing the On Board Games and On RPGs podcasts. It’s always a pleasure to have the opportunity to talk with Don and Erik, both wonderful people, ever accommodating of my umming and ahhing, and general inability to finish a sentence with brevity.

Posted on

2019 – Achievements…

2019 is on the verge of passing, and before the new year gets underway, with the related slew of ‘goals for the coming year’, I thought I’d jot a few notes down about the year that has passed. Every year, like many others I set down some goals. Reading back over my posts from January, my goals vacillated, I wasn’t sure whether to pursue my fiction writing, my freelance work, or work on my own games. In the end I settled on the idea of working on my own games, and continuing with my freelance work, albeit, winding it back a touch. So how did these things go?

Caradoc Games

2019 saw the founding of Caradoc Games, with a logo, a business name, and all the funky official things that go alongside it. It saw this website renamed twice, and shift through three domains to the current caradocgames.com.

After I finally settled on producing some games and work of my own I started with development on a large fantasy RPG I had begun in the latter months of 2018: Ashmerl. Ashmerl has only seen a small amount of work over the last six months, including an early playtest that suggested I need to change a few core elements, this is something I intend to come back to, as I am a big fan of both the setting and the character creation system I devised. I’ve recently started to play around with some various ways to fix the issues I felt existed in the system, and some interesting mechanical alterations to other rules aspects. It is something that will feature heavily in 2020, I hope.

Despite not making a lot of progress on Ashmerl, I wasn’t idle, and released four micro-rpgs: Freedom or Toaster, Brigands of Sherwood, The Hoppy Pops, and Owlbear Omelette. I’ve also managed to finish off the rules for a slightly larger micro-rpg called Corsairs, which I hope will be released through the Kickstarter Zinequest… we shall see!

These four games were released through Patreon, on DriveThruRPG and on Itch.io, and links to all these places can be found on the Downloads page.

As of the time of writing this these games have collectively been downloaded over 500 times, with twice as many downloads through DriveThruRPG than Itch. Altogether I have made about $25 USD from these games, with a majority of the money actually made coming from when Owlbear Omelette and Brigands of Sherwood were a part of the indie-RPG Colludium bundles, put together by the most excellent Marcus Shepherd.

No, that’s not a lot of money, but since all four titles are available as pay what you want, it is more than I was expecting. Here are some of the stats, for those interested:

The most successful of my games so far has been Owlbear Omelette, it has been downloaded 160 times, 117 on DTRPG, and 43 on Itch.io. It has also made the bulk of the money, with $11 from DTRPG and $5 from Itch.

Second most successful has been Brigands of Sherwood, downloaded some 149 times, 109 of those on DTRPG and 40 on Itch, and raising $1.10 from DTRPG, and nothing on Itch.

Freedom or Toaster comes in next with 146 downloads, 82 from DTRPG and 64 from Itch. Interestingly it is my most popular game on Itch, and most regularly downloaded, even in more recent months. It has netted $2.00 from Itch, and nothing from DTRPG.

My least successful game has been The Hoppy Pops, which is a shame, because I really quite like it. I wonder if my choice of running with a coloured cover that looks (well, is) very amateurish has hurt it’s chances. I did have a sketched version, but felt this lurid colour suited the theme better. Not a choice I would repeat. It has been downloaded only 64 times, 49 on DTRPG and 15 on Itch, and has made no money.

All of the games I have released have been rated one time each on DriveThruRPG, and not at all on Itch. Ratings and comments really do help, I know it’s something I rarely do, and need to strive to do more often, but they are useful, and help draw eyes to a game.

So why talk so much about revenue when I made the choice of releasing all these games as ‘Pay What You Want’ (PWYW)? Well, because the purpose of releasing these games for free was ultimately in the hope that people would head to my Patreon account, where they could find the expanded versions, and automatically get copies of games as they were released. Which leads me to my next thing…

So far this year my Patreon efforts have been a dismal failure. I have one Patron, and that is a friend of mine (thanks Will!). I don’t necessarily think the idea of releasing micro-games to lead people to Patreon is a bad idea, I have only really just started, and so I don’t think I have given it a fair chance. I also need to make sure I aim to release one small micro-rpg a month, and something larger (like Corsairs will be) every couple of months. Yes, I have had no luck with Patreon this year, but it’s something I will come back to and put more thought into for 2020. I need to work out what I can be doing better on that front.

Hardest of all this year was finding time to playtest, this has been a continual struggle, and something I want to come back to talk about in more detail at a later date. But man, it is hard to find the time to playtest! Games rely on playtesting to smooth the kinks and see what falls apart. Playtesting relies on having willing participants and time, and the latter particularly has been very difficult to shoe-horn in around all of life’s other commitments. This is a topic that I will come back to later, but between family, friends, gaming, freelance writing, and working on my own games, getting in the playtests has been tough going! Speaking of one of these pressures…

Freelance Work

In 2019 I wanted to cut down on the freelance writing I have been doing and focus more on my own material. I managed the first, and partially managed the second. Despite cutting back, over the course of 2019 I submitted 14 pieces of freelance work to 3 companies, totaling more than 78,000 words.

The largest portion of my focus has continued to be work for Modiphius on the Infinity Role Playing Game line. For this line I wrote 7 pieces totaling nearly 60,000 words. My favourite piece to work on was a chapter for the upcoming Tohaa book, and I hope those that get it will enjoy it as much as I did writing it (no hints yet).

Next was Red Scar, writing for the Devil’s Run role playing game. I submitted 5 pieces to Red Scar, and my favourite piece was a hard-to-decide draw between the first adventure in the upcoming Living Campaign, and the group creation rules that can be found in the core rules book.

The last, with a little sadness, includes my work on the now cancelled The One Ring second edition role playing game. Of these, my favourite was the first, a background piece on the Mountain Pass in the Misty Mountains. Yes, I got paid for my work, but I still saddened that I won’t ever get to see it in print!

It has been nice seeing much of the work I have written over the last three years released in 2019. A slew of sourcebooks for Infinity, and an adventure for Star Trek Adventures that I am rather proud of (Trouble on Omned III). These are available as PDFs and most of them are also available as physical books. I won’t be getting my physical copies until the line is finished, but I am very much looking forward to it!

2020 will start busier than most years, I have a piece for Infinity to write, and several more waiting for outline approval. But… all the books for the Infinity kickstarter are nearly written, will there be more? What will the future hold for the line, and where will my place fit in it? This game line has been a main focus for me for three years, and in that time I have written more than 200,000 words for it, spread across more than 18 releases. This has included 8 adventures and a host of background material. 2020 will be an interesting year for freelance, and whether I go looking for other work or choose to refocus any spare time on Caradoc Games has yet to be decided.

Blogging

This is the fiftieth post made this year, so I have managed to keep ahead of my goal, which was to write about 4 posts a month. The most popular post this year was a piece I wrote about rates in the freelance industry, and I have more to say on the subject, something I’ll carry forward next year. Traffic here is slower than I would like, so I need to do a couple of things to shift that. Firstly I need to post more regularly. That doesn’t mean more often, but instead means I need to create and maintain a regular schedule. Secondly I need to write more posts that are useful, useful to others reading this site. It is no coincidence that my most viewed posts are about aspects of the industry that may be of interest to those experienced RPG freelancers, curious would-be freelancers, or interested observers. These posts have also gained me the most feedback, some supportive, some critical, and this is something I would like to reflect on at some point.

Overall I have been pleased with my output on the site, and just need to ensure I space things out more evenly, and post on a more scheduled basis.

Phew, well I think that’s more than I intended to say, but that covers some of things I have managed over the course of the year. Some of these pose interesting challenges to overcome for 2020, and topics I’ll come back to in the new year. For those who have read any of my posts (or have had the stamina to make it this far), thanks very much for stopping by! I’ll see you in 2020!