Owlbear Omelette!

How would you fare, as a sneaky Goblin sneak sneaking into the Goblin King’s dungeon?

The goal?

To filch an Owlbear egg for omelette making purposes!

Why?

It could be the moonshine, it could have be the endless pasty gruel, it could be a sense of pressing social inequality that comes from not being a Goblin King chowing down on Owlbear Omelettes every other morning!

Whatever the reason, here you are! The only way forward is forward! The only thing left to do is get an Owlbear egg! Oh! And get out alive! Garrr!

Owlbear Omelette is the latest micro-rpg from Caradoc Games. It can be played as theatre of the mind, or as an OSR style grid based game.

The Expanded Edition of Owlbear Omelette contains much extras! Including secret goals for extra sneaky Goblins, rules for Armour, and rules for the random creation of the Goblin King’s dungeon!

The basic and expanded editions of Owlbear Omelette are available to patrons right now, click here to support and start the quest for the greatest omelette ever tasted!

The basic edition will be available soon from DriveThruRPG and Itch.io…

All the Colours…

I’m working with a co-designer on a series of card and board games. It happened fairly quickly:

Karl: “Did you want to work with me on this design.”

Me: “Hell yes.”

Us: <Initiate torrential stream of concepts/>.

Karl (of Ark Angel Games) and I quickly found three core concepts to explore, all originally centered around the use of transparent cards that Karl had concocted. How things have changed in the months since.

Iteration, playtest, iteration, playtest, iteration, playtest. Two of the three are on version 3 or 4, while one is on version 11.

Some of these have come together quickly, feel close to being ‘right’, one is a work in progress, still missing a core something. All of them have changed, as is only good and right.

It’s like finding a path through a jumbled and dark room, ironically, one that you yourself have created. Feeling for what’s in front, trying to find the light switch. Once the light switch has been located of course, it’s not the end, oh no! The room needs to be surveyed, assessed, ordered, tidied, and made presentable.

At different points throughout the iterations I feel like I’ve found the light switch, but the playtest to follow reveals I have, in fact, found nothing of the sort. Things work differently in the mind to how they play out on the table, and that, while obvious, highlights *again* the vital role that playtesting has in the design process.

I have a brilliant idea! It will work! It will be glorious! It will add depth, and strategy, and… <initiate playtest/>… it just doesn’t work at all. How did I not see that!

Time and again we have come back to one or other of the games and asked ourselves – what do we want this game to achieve? If this game were on a shelf next to other games of a similar weight and a similar depth, what would those games be? What is the target audience? What other games do the people who will play this game play? Knowing the destination is vital to keeping it on track. But, by the same token, being open to a change in destination is also important.

Working with a co-designer has been a great experience. The ability to bounce ideas, come at things from other angles, and play to different strengths has been fantastic. If we have a tendency to spin one idea into three, that’s ok, I’m confident that one or more of these is going to turn out great!

Breaking Eggs

You can’t make an Omelette without breaking eggs, as the saying goes. The same is true for game design. Owlbear Omelette has been through a number of revisions, most recently an update to the random dungeon system that will be in the extended edition.

Run Goblin! Run!

The dungeon creation rules started as a card driven system: split a deck of cards into three, divided by colours and numbers. Flip this card, then that card, corridors, rooms, and encounters defined by suit and then number… Explaining it to a friend at a later stage I realised something that should probably have been quite obvious earlier: all the same could be achieved through dice rolls. In fact, rolling dice and checking tables is simpler than splitting up a deck of cards into three specific decks, and then having to check tables.

The Lost Paladin… Which way did the rogue say to go?

It’s funny how, in the moment, we can get lost in needless complexity. That the solution to a problem we see can swiftly spiral into complication. But… would the dice system exist without me having first created the overly complicated card system? No, it would not.

There is much to be said for building the thing; complexities, complications, warts and all. Once the things exists, in a form that approximates, roughly, painfully, and no doubt awkwardly, what you want to achieve, cut it back, pare it down. Ask of the thing: what can be done more simply? Is there another way to achieve the same thing?

I changed from cards to dice not just because the system is simpler, but because it doesn’t ask the GM or the players to pre-prepare. Thinking about the physical actions required of either preparing or executing an action in the game is important. Such things can add a fun aspect to the game experience when they are deliberate and purposeful, but can detract from the fun just as easily. A system that involves some sort of procedure or preparation can be a barrier to entry, a step or series of steps that add needless ‘busy work’ to a process that doesn’t necessarily require it.

I have a tendancy as a designer to add all the things in, one idea leads to two others, which in turn add some system or sub-system, and so the teetering pile grows. This is a part of my process, and just as important as growing that messy pile, is the act of going back and shaving it down, of cutting away and reorganising. Of removing the things that don’t add to the experience, but simply add processes. This cutting back is the step that is key… As I wrote at the beginning: when making an omelette, you need to break eggs.

Owlbear Omelette will be the next game released by Caradoc Games. The basic edition will be available as a free download in all the usual places (Patreon, DriveThruRPG, and Itch.io), while the Extended Edition, which includes extras such as fun secret character goals, armour rules, and random dungeon creation, will be available exclusively to Patreon supporters.

One Ring to Rule Them All…

Cubicle 7 have been teasing artwork for their upcoming release of The One Ring, Second Edition, and to my eye, it looks amazing.

Over on their website they have been posting regular updates showing off the artwork for the cover, interior, and the playable cultures, like this one, which shows off the Men of Minas Tirith, Hobbits of the Shire, and the High Elves of Rivendell.

The cover for the new edition looks fantastic, vibrant, full of action, and even includes a certain iconic wizard. The art piece was created by Johan Grenier, and is part of a larger piece, which can be seen here. Very cool, and even better, it ties in to a free adventure that will be released alongside the new edition.

Even more stunning that this though, is the cover and art for the Collectors Edition. It reminds me very much of the art and style of the very best hard cover versions of The Lord of Rings.

The Collectors edition comes in a slip case, and the whole production looks amazing. You can read about on Cubicle 7’s website here. The Collector’s Edition Cover is by Rachael Macken, and the map that is spot highlighted on the slipcase is by Jared Blando.

I have been thrilled to have had the opportunity to write for The One Ring Second Edition line, including contributing to The One Ring Starter Set, and the upcoming title Tales from Middle-earth. As a long time lover of the Lord of the Rings and Middle-earth, it has been a real thrill! That everything Cubicle 7 has shown off for the Second Edition looks so good is just icing on the cake!

All the images in this post are the property of Cubicle 7 ©

Devil’s Run Update

How would you survive in the mayhem and anarchy of a post-apocalyptic world? A wasteland of scarcity, danger, and dominated by gangs? Red Scar have just updated the Quickstart for their role playing game: Devil’s Run. Devil’s Run is a fun and crazy post-apocalyptic setting, with all the chrome, oil stains, shell casings and mayhem one would expect of the wasteland.

The Devil’s Run Quickstart includes rules for Modiphius Entertainment’s 2D20 system, which powers Star Trek Adventures, Conan: Adventures in an Age Undreamed Of, John Carter of Mars, Infinity the Role Playing Game, and more, as well rules for running it with the Savage Worlds SWADE system, from Pinnacle Entertainment.

I didn’t contribute anything to the Quickstart, but I did write some pieces for the soon-to-be-released core book. The game is a lot of fun, and well worth checking out. You can find the updated Quickstart, for free, on DriveThruRPG here.

Questions and Answers

I was interviewed recently about role playing games, game design, and writing, by an old friend Patrick Matthews. If you’re interested in any of these things, the interview can be found on Pat’s blog here.

Many years ago now, it feels, I wrote some various articles for a website Pat ran which was called Games for Educators. I wrote about using games in the classroom. I also hosted a short podcast series there which was co-hosted by Tom Vasel and myself, called Teaching Strategies. Later, Games for Educators also hosted another podcast I recorded with Donald Dennis, called Games in Schools and Libraries (which is still running strong I might add, hosted by Kathleen Mercury and Donald Dennis). Pat is an author, game designer and software developer, and has recently started a blog series on his site called ‘6 Questions‘. Under Patrick, the Games for Educators site had a range of authors writing about games in an educational setting.

In the 6 Questions series Pat interviews authors, game designers, and other creatives. I was honoured to have been asked to contribute something, and I hope anyone interested in freelance writing, game design, or writing in general finds something interesting or useful in my various and rambling answers.

In my interview I wrote about role playing games and why I love them, creative focus, offered some thoughts on writing, processes, writing in the RPG industry, and talked about what’s upcoming from Caradoc Games. Check it out here! Thanks Pat for asking me to contribute something to your 6 Questions series, it was a lot of fun, and I am very honoured!